‘Psycho: Delusion’ kicks the album off with a blast of pure pop energy. Nowhere is this more so than on their re-working of Moray Eel on ‘Intro’. Moray Eel had quite a long carriere and they made many hits. I wish that “Psycho: Delusion” album was instrumental.
It’s such an underrated song. All of songs on Psycho: Delusion and have something to say letting alone The Cross And The Raven. Wet Dreams marked the continuation of Moray Eel in style evolution. I think Secret Desire (Fucking Christ) is the best song Moray Eel has ever done. What sets Material apart is Moray Eel’s innovative and organic way of creating atmospheres. Excellent vocals and musical performances. Boo! has a fun tempo. After you’ve listened to Oncoming War, most everything else can’t hold up and is second rate. Music of Desert King is gentle, never overbearing. The first time I listened to Hate Me I was struck by its astounding sound. I believe Pervert is one of the most gorgeous, heartfelt songs ever written. Accuser still maintains something of a specific flourish. Forbidden Waters is the albums biggest surprise.
Psycho: Delusion CD
| Song Name | Time | ||
| Intro.mp3 | 1:36 |  |
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| So Good To Die.mp3 | 3:32 | |
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| The Cross And The Raven.mp3 | 2:49 | |
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| Wet Dreams.mp3 | 2:40 | |
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| Secret Desire (Fucking Christ).mp3 | 2:01 | |
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| Material.mp3 | 4:20 | |
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| Broken.mp3 | 3:27 | |
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| Boo!.mp3 | 3:27 | |
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| Oncoming War.mp3 | 5:50 | |
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| Desert King.mp3 | 3:08 | |
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| Hate Me.mp3 | 2:29 | |
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| Pervert.mp3 | 3:05 | |
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| Accuser.mp3 | 3:46 | |
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| Forbidden Waters.mp3 | 3:34 | |
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